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Theatre of Sexual Attraction and Psychological Destruction: The Myth of Hercules and Omphale in the Visual Arts, 1500â€“1800

By (author) Karl A.E. Enenkel

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The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts in the period 1500â€“1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception studies, and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.

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