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Samuel Beckett dans les marges du surréalisme: Ou l’écriture du rocking chair

By (author) Bernard-Olivier Posse

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Longuement, la question de la productivitÃ© du mouvement surrÃ©aliste franÃ§ais sur lâ€™Å“uvre de Samuel Beckett fut dÃ©battue, polarisÃ©e entre rejet et acceptation pÃ©remptoire. Cette possible influence trouve un point dâ€™appui important dans Samuel Beckett dans les marges du surrÃ©alisme, dÃ©couvrant une Å“uvre faite de reprises et dâ€™emprunts de la poÃ©sie surrÃ©aliste. Par un dÃ©pouillement attentif des archives beckettiennes incluant correspondance, cahiers prÃ©paratoires et publications en revue, Bernard-Olivier Posse propose une mÃ©thode philologique mÃªlant analyse littÃ©raire et perspective sociologique propice Ã reconsidÃ©rer la posture auctoriale de Samuel Beckett. The question of how influential the French surrealist movement has been on the work of Samuel Beckett has been debated for a long time but the answers were only made of peremptory oppositions : either rejection or acceptation. Samuel Beckett dans les marges du surrÃ©alisme aims to demonstrate the (ambiguous) way Beckett works with surrealist poetry by a play of quotations which are always repeated, always altered. Based on research on Beckettian archives such as his correspondence, preparatory notes and publications in journals, this book combines literary analysis and sociological perspective in order to understand how Beckett deals with his self-representation as a writer.