|
books
| book details |
Edvard Munch: Masterpieces from Bergen
Edited by Barnaby Wright, Contributions by Line Daatland, Contributions by Caroline Levitt, Contributions by Coralie Malissard, Contributions by Frode Sandvik
|
| on special |
normal price: R 1 171.95
Price: R 1 113.95
|
| book description |
This important publication accompanies a major exhibition at The Courtauld Gallery, London, of paintings by Edvard Munch, one of the world’s greatest modern artists. The exhibition and catalogue showcase 18 major works from the collection of KODE Art Museums in Bergen. The works span the most significant part of Munch’s artistic development and have never before been shown as a group outside of Scandinavia. KODE houses one of the most important collections of paintings by Edvard Munch (1863–1944) in the world. The collection was assembled at the beginning of the 20th century by the Norwegian industrialist, mill owner and philanthropist Rasmus Meyer (1858–1916), who was one of the first significant early collectors of Munch’s work. Meyer knew Munch personally and was astute in acquiring major canvases by the artist that chart his artistic development.  Edvard Munch: Masterpieces from Bergen explores this group of remarkable works in detail and considers the important role of Rasmus Meyer as a collector. The exhibition and publication include seminal paintings from Munch’s early ‘realist’ phase of the 1880s, such as Morning (1884), which was made when the artist was just twenty years old, and Summer Night (1889), a pivotal work that shows the artist’s move towards the expressive and psychologically charged work for which he became famous. These paintings launched Munch’s career and set the stage for his renowned, highly expressive paintings of the 1890s when his compositions became powerful projections of his emotions and imaginative states. Such works are a major feature of the exhibition that includes remarkable canvases from Munch’s famous ‘Frieze of Life’ series, such as Evening on Karl Johan (1892), Melancholy (1894-96) and At the Death Bed (1895). Through his ‘Frieze of Life’ works, Munch intended to address profound themes of human existence, from love to death. The artist used his own experiences as source material to make visceral depictions of the human psyche, which he hoped would help others understand their own life. Munch’s powerful use of colour and form to convey his subjects marked him out as one of the most radical painters at the turn of the 20th century.  This fully illustrated publication includes a catalogue of the works, with contributions by leading experts in their fi eld from KODE and The Courtauld.
| product details |

Normally shipped |
Publisher | Paul Holberton Publishing Ltd
Published date | 5 Jun 2022
Language |
Format | Paperback / softback
Pages | 136
Dimensions | 260 x 215 x 0mm (L x W x H)
Weight | 0g
ISBN | 978-1-9136-4527-4
Readership Age |
BISAC | art / history / general
| other options |
|
|
|
To view the items in your trolley please sign in.
| sign in |
|
|
| specials |
|
Look around you is anything real or normal any more? News, images and videos created by AI are everywhere.
|
|
|
This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting, white-dominated colonial society.
|
|
|
|