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Deleuze and Lola Montès

By (author) Dr Richard Rushton

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Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola MontÃ¨s offers a detailed explication of Gilles Deleuzeâ€™s writings on film â€“ from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophulsâ€™s classic film Lola MontÃ¨s as an example of how Deleuzian film theory can function in the practice of film interpretation.

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