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Women’s Writing from Wales before 1914

Edited by Jane Aaron

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This essay collection rediscovers and reassesses a host of still little-known, pre-1914, Welsh women writers. In the last few decades considerable advances have been made towards rediscovering, contextualising, and analysing womenâ€™s writing from Wales. The combined influences of the post-1960s womenâ€™s movement, the 1990s Welsh devolution successes, and the development of the â€˜Four Nationsâ€™ school of British literary criticism, have together effected significant advances in the field of Welsh feminist literary studies. This book focuses in particular on: the fifteenth- to eighteenth-century Welsh-language bards, such as Gwerful Mechain, Angharad James, and Marged Dafydd; the seventeenth- and eighteenth-century English-language poets, including Katherine Philips, Jane Brereton, Anne Penny, and Anne Hughes; contributors to the Romantic movement in Wales, such as the poets and novelists Mary Robinson and Ann of Swansea; the mid-nineteenth-century protesting voice of polemicists such as Jane Williams (Ysgafell); the Victorian English-language novelists, for example Louisa Matilda Spooner, Anne Beale, Amy Dillwyn, Allen Raine, and Mallt Williams, and their concern with national, class, and gender identities; and early twentieth-century Welsh-language writers engaged with Welsh Home Rule and womenâ€™s suffrage issues, such as Gwyneth Vaughan and Eluned Morgan. This book was originally published as a special issue of Women's Writing. Chapter 7 is available Open Access at https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9780367353483_oachapter7.pdf