|
|
books
| book details |
Katherine Philips: Form, Reception, and Literary Contexts
Edited by Marie-Louise Coolahan, Edited by Gillian Wright
|
| on special |
normal price: R 6 722.95
Price: R 6 050.95
|
| book description |
Katherine Philips (1632–1664) is widely regarded as a pioneering figure within English-language women’s literary history. Best known as a poet, she was also a skilled translator, letter writer and literary critic whose subjects ranged from friendship and retirement to politics and public life. Her poetry achieved a high reputation among coterie networks in London, Wales and Ireland during her lifetime, and was published to great acclaim after her death. The present volume, drawing on important recent research into her early manuscripts and printed texts, represents a new and innovative phase in Philips's scholarship. Emphasizing her literary responses to other writers as well as the ambition and sophistication of her work, it includes groundbreaking studies of her use of form and genre, her practices as a translator, her engagement with philosophy and political theory, and her experiences in Restoration Dublin. It also examines the posthumous reception of Philips’s poetry and model theoretical and digital humanities approaches to her work. This book was originally published as two special issues of Women’s Writing.
| product details |

Normally shipped |
Publisher | Taylor & Francis Inc
Published date | 10 May 2018
Language |
Format | Hardback
Pages | 272
Dimensions | 234 x 156 x 0mm (L x W x H)
Weight | 660g
ISBN | 978-0-8153-6202-9
Readership Age |
BISAC | literary criticism / general
| other options |

Normally shipped |
Readership Age |
Normal Price | R 8 118.95
Price | R 7 306.95
| on special |
|
|
To view the items in your trolley please sign in.
| sign in |
|
|
|
| specials |
|
|
Mason Coile
Paperback / softback
224 pages
was: R 520.95
now: R 468.95
|
A terrifying locked-room mystery set in a remote outpost on Mars.
|
An epic love story with the pulse of a thriller that asks: what would you risk for a second chance at first love?
|
|
|
|
|
|