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Remaking Race and History: The Sculpture of Meta Warrick Fuller

By (author) Renée Ater

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normal price: R 1 493.95

Price: R 1 343.95

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This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877–1968), one of the early twentieth century’s few African American women artists. To understand Fuller’s strategy for negotiating race, history, and visual representation, Renée Ater examines the artist’s contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America’s Making Exposition (1921). Ater argues that Fuller’s efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture.

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Normally shipped | Usually dispatched in 3 to 4 weeks as supplier is out of stock
Publisher | University of California Press
Published date | 8 Feb 2022
Language |
Format | Paperback / softback
Pages | 212
Dimensions | 254 x 178 x 13mm (L x W x H)
Weight | 590g
ISBN | 978-0-5203-8537-5
Readership Age |
BISAC | art / history / modern (late 19th century to 1945)

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