Bookshelf

| browse books |
books
 

| book details |

Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925

By (author) Brian Roberts

| on special |

normal price: R 1 319.95

Price: R 1 253.95


| book description |

As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America's musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America's capitalist order.

| product details |



Normally shipped | Available from overseas. Usually dispatched in 14 days
Publisher | The University of Chicago Press
Published date | 18 Apr 2017
Language |
Format | Paperback / softback
Pages | 384
Dimensions | 23 x 16 x 2mm (L x W x H)
Weight | 595g
ISBN | 978-0-2264-5164-0
Readership Age |
BISAC | history / social history


| other options |


| your trolley |

To view the items in your trolley please sign in.

| sign in |

| specials |

The Mountain in the Sea: Shortlisted for the 2024 Arthur C. Clarke Award

Ray Nayler
Paperback / softback
464 pages
was: R 315.95
now: R 277.95
Available from overseas. Dispatched in aprox 4-8 weeks as local supplier is out of stock

David Mitchell meets Arrival in a breathlessly entertaining and awards-shortlised literary thriller exploring men's fraught relationship with nature.

Service Model

Adrian Tchaikovsky
Paperback / softback
384 pages
was: R 385.95
now: R 338.95
Stock is usually dispatched in 6-12 days from date of order

Charles, the latest in robo-butler technology, has accidentally murdered his master.

This is How You Lose the Time War: The epic time-travelling love story and Twitter sensation

Amal El-Mohtar
Paperback / softback
208 pages
was: R 385.95
now: R 338.95
Available from overseas. Dispatched in aprox 4-8 weeks as local supplier is out of stock

WINNER OF THE HUGO AND NEBULA AWARDS: Two time-travelling agents from warring futures, working their way through the past, begin to exchange letters - and fall in love in this thrilling and romantic book from award-winning authors Amal-El Mohtar and Max Gladstone.