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Writing Art History: Disciplinary Departures

By (author) Margaret Iversen, By (author) Stephen Melville

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Faced with an increasingly media-saturated, globalized culture, art historians have begun to ask themselves challenging and provocative questions about the nature of their discipline. Why did the history of art come into being? Is it now in danger of slipping into obsolescence? And, if so, should we care? In ""Writing Art History"", Margaret Iversen and Stephen Melville address these questions by exploring some assumptions at the discipline's foundation. Their project is to excavate the lost continuities between philosophical aesthetics, contemporary theory, and art history through close readings of figures as various as Michael Baxandall, Martin Heidegger, Jacques Lacan, and Alois Riegl. Ultimately, the authors propose that we might reframe the questions concerning art history by asking what kind of writing might help the discipline to better imagine its actual practices - and its potential futures.

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Normally shipped | Available from overseas. Usually dispatched in 14 days
Publisher | The University of Chicago Press
Published date | 1 Dec 2010
Language |
Format | Hardback
Pages | 256
Dimensions | 24 x 15 x 2mm (L x W x H)
Weight | 340g
ISBN | 978-0-2263-8825-0
Readership Age |
BISAC | art / history / general


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